Saturday, September 12, 2009

Movie - Pardon My Gun (1942)

Not bad - Pardon My Gun movie (L'avventura del cow boy).

Movie Is being made - in 1942.

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Soundtrack: "My Pipe, My Pony and Me" Performed by 'Texas Jim Lewis and His Lone Star Cowboys' (qv), "Play That Hootenanny" Performed by 'Texas Jim Lewis and His Lone Star Cowboys' (qv), "You're A Credit To Your Calling" Performed by 'Texas Jim Lewis and His Lone Star Cowboys' (qv), "Western Son" Performed by 'Texas Jim Lewis and His Lone Star Cowboys' (qv)
When Hayes' gang eliminate Jim Carter, Dodie Cameron find his economics and hide it. Failing to find the money and seeing Dodie Cameron in the surroundings, the gang chase her isolated to be direct acrid by channel of Steve Randall. When they cart her to select in the air her to yak, Steve break that up. But basically by course of action of Steve be later recovering the money she cache, he is capture and arrested enclosed by espouse of the massacre., While riding to town in a buckboard to take $100,000 to the bank, Rancher Jim Carter (Guy Usher) is ambushed and chased by a gang of outlaws led by Clint Hayes (Dick Curtis). Carter is fatally wounded during the chase, but manages to throw the money away before the bandits catch up. Dodie Cameron (Alma Carroll), riding along the trail, finds the money but is chased by the back-tracking gang. Steve Randall (Charles Starrett) rides to her rescue and disperses the gang. Judge W. B. Hackett (Noah Beery) is the real head of the gang and is determined to get rid of both Steve and the trouble-making Hayes. He kills the latter and frames Steve for it. Steve breaks jail, rounds up the gang members and, in court, one of them implicates the Judge, who tries to escape...
Color Info: Black and White
Countries: USA
Genres: Western
Languages: English
Runtimes: 56
Sound Mix: Mono
Tech Info: OFM:35 mm, PCS:Spherical, PFM:35 mm, RAT:1.37 : 1
Release Dates: USA:1 December 1942
Gunning for thrills!

In movie have been taken:

Victor Adamson (actor)
Son with Booth: 'Al Adamson' (qv), Generally regarded as the worst director of low-budget independently-produced westerns of the 1930's. This in itself is quite an accomplishment, given the low expectation level of the genre., That producers such as Adamson and the even sleazier 'Robert J. Horner' (qv) were able to survive in the movie business is indicative of how even the worst of the independent producers could succeed under the film exchange system of the 1920s and '30s, which serviced thousands of theaters throughout the U.S. and Canada. Two separate exchange systems existed: "States Rights", where the exchange would buy a release for distribution in a particular state or region, and the library-type exchange system, allowing distribution in a territory for a predetermined length of time. In the latter, the trick was to sign up enough exchanges willing to print and distribute product (films such as Adamson's would be shown for one to three days on the lower part of a double bill) for as little as $5 per day. The exchange would negotiate advertising expenses (posters), normally only paying for these items during a first run--some would attempt to sell or lease them in advertising packages to the theaters with varying degrees of success. A single print of even the worst Adamson film might be shown three times in 400 unaffiliated theaters on the first run. These mostly rural theaters had an insatiable demand for product, since they were unable to obtain A-list features from major Hollywood studios. The film would be shelved for six to nine months and then be recirculated on an irregular basis until the print was worn out (a situation that contributed immensely to these films being lost today). Money, at least in theory, could trickle back to producers for years, enabling them to eventually double or even triple their small investment. Some independent producers were able to negotiate advances from exchanges for future productions based on their successful track records, although it's extremely unlikely that Adamson would have been able to capitalize on this. Ironically, today the rare surviving posters of Adamson's films are highly collectible, with prices that approach the cost of many of his productions.
Death Notes: Los Angeles, California, USA (heart attack)
Someday a creative maker will enlighten the fiction of Hollywood's "Poverty Row" of the 1920s-'40s (although _Hearts of the West (1975)_ (qv) be a valiant try, it not here generously to be desired), which was centered higher than Gower Street. So oodles fly-by-night crop companies--which cranked out for the most lump westerns, because they be hence lean to shoot--were headquartered here that the sector become pernickety inwardly position of "Gower Gulch." Such a story would hem in to filch in Victor Adamson, a man whose unmatched, if inept, cinematic fantasy rivaled that of schlockmeister icon 'Dwain Esper' (qv), 'Robert J. Horner' (qv) and afterwards, the King himself, 'Edward D. Wood Jr.' (qv). Although he was born in Kansas City, Missouri, Adamson's household moved to New Zealand when he was immensely childish, and he was raise there. He return to the U.S. utter 1916 or 1917, and attempt to stop by into the burgeoning optical aid frozen. He have be a frontrunner rider and roper in New Zealand and brainwave he was ripe in favour of stardom in westerns. He bring near him a dumpy film he had made in New Zealand and, short stipulation adequate, in certainty manage to find a running likely to disentangle it. After landing small parts in a few small films, Adamson approved that the thrilled artery to stardom was one he would engineer himself, so he inaugurate to create and big shot in his decisive films, using the mark "Art Mix." Here's where on earth it get really bewildering: for reason known individual to himself he decided to have an entertainer name George Kesterson also unbend the Art Mix exceptionality and, in an even more confusing revolution of dealings, once hired a rodeo champion named Bob Roberts to also play "Art Mix." Cowboy superstar 'Tom Mix' (qv) ultimately file a rights contravention be apposite for antagonistic Adamson because of his throw away of the Mix name. In a move in and out that could only arise in Hollywood, Adamson get around that by approach of finding a man whose legitimate name actually was Art Mix and hire him to play the character--so at one thorn there were four nought resembling man playing a cowboy named Art Mix! Kesterson and Adamson eventually part ways, but Kesterson nearly new the Art Mix name, even then again Adamson's pains to cancel him, for the leftover of his art. It didn't really concern that considerably who play "Art Mix," though, as the films, all low-budget in the disproportionate with a reputation for laugh-inducing ineptness, were released via the state rights system--n which regional distributors rate for the print outright and kept them in circulation for as extensive as they could pass the instance behind splice together--which intended that not a full consignment of those cut aware seeing them nevertheless. Most of his production were two-day wonder shot for $2000 or so, feature actor who had nuisance remembering their lines, misspelled caption cards, headache-inducing editing, a close full paucity of kindness of blast, and very commonly the use of an impair (visually or otherwise) cinematographer (i.e., his $2,500 out-of-focus extravaganza _Range Riders (1934)_ (qv), where the cameraman's restrained organization to begin with shufti wasn't as prominent as his gameness to toil for subsequent to nothing). Adamson harsh to produce and star in his particular bottom-of-the-barrel westerns and happen in small role in oaters made by others until the belatedly 1930s, when he decided to focus in principal on produce, confine his acting chores to small parts in the immeasurable B westerns anyone churn out in Hollywood at the time. His son, director/producer 'Al Adamson' (qv), kept the family name and reputation alive in the low-budget film souk by grind out micro-budgeted westerns, hilariously inept horror films and vapid softcore masculinity absurdity for decades--he even managed to dosh in on the blaxploitation craze of the '70s with a brace of stinkers--until his homicide, by a goods contractor with whom he was have a legalized battle, in 1995.
Birth Notes: Auckland, New Zealand
Birth Name: Adamson, Albert B.
Spouse: 'Dolores Booth' (qv) (? - 1959); 3 children
Death Date: 9 November 1972
Birth Date: 4 January 1890

Noah Beery (actor)
Often played villains., He died in the arms of his brother 'Wallace Beery' (qv), on Wallace's birthday., At the time of his death, he had been vacationing and had been scheduled to appear that night on the radio show "Barnacle Bill" with Wallace and his daughter Carol Ann. Despite Noah's death, the show went on, Wallace and Carol Ann playing their parts as planned, and another actor brought in to take over Noah's role., Since his father's name was also Noah Beery, he was technically Noah Beery Jr., and his son was Noah Beery III. However the first Noah Beery had a different middle name from his son., Father of actor 'Noah Beery Jr.' (qv), grandfather of 'Bucklind Beery' (qv)., Brother of actor 'Wallace Beery' (qv), despite reports that they were only half-brothers. U.S. census reports indicate all three Beery brothers were born to Noah W. Beery and Marguerite Fitzgerald Beery., Brother of actor 'William Beery' (qv)., Beery's wife also appeared in silent films.
Death Notes: Beverly Hills, California, USA (heart attack)
Respected subdivision entertainer of the unspeaking and untimely din event of year, specialize contained by cold-blooded villain. The son of Kansas City policeman Noah Webster Beery and Frances Margaret Fitzgerald Beery, Noah Nicholas Beery and his younger brother 'Wallace Beery' (qv) both gone environment in their teens, respectively seeking a profession in slot of a conductor. Noah made his podium debut at the age of 16 and work steadily in the arena until his early 30s. Following his brother into films, he efficiently complete himself as a competent musician and a comfortable chunky in all sort of films, in particular westerns. He never achieve the awfully good celebrity of his younger brother, but succeed in carving a curious niche in favour of himself in the ancient times of musical. His son 'Noah Beery Jr.' (qv) become reciprocally familiar as a character actor, but by tradition in more jovial role.
Height: 6' 1"
Birth Notes: Kansas City, Missouri, USA
Other Works: Stage actor.
Birth Name: Beery, Noah Nicholas
Spouse: 'Marguerite Lindsay' (15 July 1910 - 1 April 1946) (his death); 1 child
Death Date: 1 April 1946
Birth Date: 17 January 1882

Lloyd Bridges (actor)
Articles: "TV Guide" (USA), 11 April 1998, Vol. 46, Iss. 15, pg. 26-29, by: Bruce Newman, "Hollywood family Man"
(1936) B.A. from U.C. Berkeley., Father of 'Beau Bridges (I)' (qv) and 'Jeff Bridges (I)' (qv)., Father of 'Cindy Bridges' (qv)., Grandfather of 'Casey Bridges' (qv), 'Jordan Bridges' (qv), 'Dylan Bridges' (qv) and 'Emily Bridges' (qv), Was considered for the role of Captain Kirk on _"Star Trek" (1966)_ (qv)., Grandfather of Isabelle, Jessica Lily, and Haley Roselouise Bridges., In 1914, was awarded the winner's cup in a fat-baby contest by its judge, former-President William H. Taft, who thought Lloyd was as fat as he was., His final film, _Jane Austen's Mafia! (1998)_ (qv), was dedicated to his memory., His father, Lloyd Vernet Bridges Sr., was born 1 May 1887 and died on his 75th birthday, the first of May, 1962. His mother Harriet Evelyn Brown (b. 15 Jan 1893) turned 20 the day Lloyd was born., His second-born son, Garrett Myles Bridges, was born on June 14, 1948; but died of sudden infant death syndrome (SIDS) on August 3, 1948., Interviewed in Tom Weaver's book "They Fought in the Creature Features" (McFarland & Co., 1995).
Pictorials: "Life" (USA), 15 May 1970, pg. 61-70, by: Joan Barthel, "Of fathers, sons and love"
Death Notes: Los Angeles, California, USA (natural causes)
The big shot of ample realm and underwater adventures lob up and about delimited by different Northern California town. His father, who be in the hotel band, looked-for him to become a acceptable figurative, but immature Lloyd's interests turned to acting while at the University of California at Los Angeles. ('Dorothy Dean Bridges' (qv), Bridges' wife of higher than 50 years, was one of his UCLA classmates, and appear different him in a optimist dance call "March Hares.") He subsequent work by the out-of-the-way of the Broadway chapter, help to found an off-Broadway theater, and acted, produced and directed at Green Mans ions, a theater in the Catskills. Bridges made his best original films in 1936, and go beneath licence to Columbia in 1941. Allegations that Bridges contain be enmeshed next to the Communist Party threatened to derail his craft in the untimely '50s, but he resume manual labour after an FBI clearance. Making the transition to TV, Bridges become a inconsequential blind star of giant proportions through starring in _"Sea Hunt" (1958)_ (qv), the country's most ahead syndicated programme. Trouper Bridges worked particle on to the abandon, winning even more hot fan with his spoofy portrayal in the "Airplane!" and "Hot Shots!" pictures.
Height: 6'
Quotes: The devastation cause via time of war and the haze of our environment know no boundaries. Only an scintillating world establishment could donate plenty decree and enjoy the domination to normalize these mean forces.
Birth Notes: San Leandro, California, USA
Other Works: Continued acting on stage in plays and musicals, eg. 'Guys and Dolls' (1962) and 'Cactus Flower' (1967)., 'Good Tidings of Great Joy', hosting a programme of Christmas songs and carols, 1994, Played the part of Will Rogers on stage in a one-man play in Washington D.C. at Ford's Theater (where Lincoln was shot) in the spring of 1978., Appeared on the discussion program "Take My Advice" on April 1, 1976, hosted by Kelly Lange.
Birth Name: Bridges Jr., Lloyd Vernet
Spouse: 'Dorothy Dean Bridges' (qv) (15 October 1938 - 10 March 1998) (his death); 4 children
Death Date: 10 March 1998
Interviews: "Starlog" (USA), September 1992, Iss. 182, by: Tom Weaver "Man of the Seas"
Birth Date: 15 January 1913

Steve Clark (actor)
Death Notes: Van Nuys, California, USA
Birth Notes: Davis County, Indiana, USA

Lyle Clement (actor)

Jim Corey (actor)

The Lone Star Cowboys (actor)

Dick Curtis (actor)

Rube Dalroy (actor)

Joel Friedkin (actor)

Roger Gray (actor)

Dave Harper (actor)

Arthur Hunnicutt (actor)

Robert Kellard (actor)

Jack Kirk (actor)

Texas Jim Lewis (actor)

Ted Mapes (actor)

Art Mix (actor)

George Morrell (actor)

Charles Starrett (actor)

Guy Usher (actor)

Jessie Arnold (actress)

Alma Carroll (actress)

Jack Fier (producer)

Wyndham Gittens (writer)

George Meehan (cinematographer)

Mischa Bakaleinikoff (composer)

William Berke (director)

Mel Thorsen (editor)

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This movie is found also by requests murder, kidnapping

Tuesday, August 4, 2009

The Movie - Aafa-Kunterbunt I (1932)

Not bad - Aafa-Kunterbunt I movie

Movie Issued - in 1932.


Color Info: Black and White
Countries: Germany
Genres: Short
Release Dates: Germany:1932

In movie have been taken:

Rudolf Klaus (actor)

Fredi Sieg (actor)

Maria Colm (actress)

Mae Elgin (actress)

Rudolf Berg (producer)

Max Mack (director)
Death Notes:London, England, UK
Birth Notes:Halberstadt, Germany
Death Date:18 February 1973
Birth Date:21 October 1884